Minggu, 29 Maret 2015

[H865.Ebook] PDF Ebook Gratitude, by Oliver Sacks

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Gratitude, by Oliver Sacks

“My predominant feeling is one of gratitude. I have loved and been loved. I have been given much and I have given something in return. Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.”�
—Oliver Sacks


No writer has succeeded in capturing the medical and human drama of illness�as honestly and as eloquently as Oliver Sacks.�

During the last few months of his life, he wrote a set of essays in which he movingly explored his feelings about completing a life and coming to terms with his own death.

“It is the fate of every human being,” Sacks writes, “to be a unique individual, to find his own path, to live his own life, to die his own death.”

Together, these four essays form an ode to the uniqueness of each human being and to gratitude for the gift of life.


“Oliver Sacks was like no other clinician, or writer. He was drawn to the homes of the sick, the institutions of the most frail and disabled, the company of the unusual and the ‘abnormal.’ He wanted to see humanity in its many variants and to do so in his own, almost anachronistic way—face to face, over time, away from our burgeoning apparatus of computers and algorithms. And, through his writing, he showed us what he saw.”
—Atul Gawande, author of Being Mortal

  • Sales Rank: #6839 in Books
  • Published on: 2015-11-24
  • Released on: 2015-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.10" h x .40" w x 5.00" l, .0 pounds
  • Binding: Hardcover
  • 64 pages

Review
“A series of heart-rending yet ultimately uplifting essays….A lasting gift to readers….unlike other writers who have reported from the front lines of mortality, Sacks did not focus on his illness, his medical ordeal or spirituality, but on “what is meant by living a good and worthwhile life—achieving a sense of peace within oneself. Sacks not only achieved that peace but managed to convey it beautifully in these essays. He found positive ways to think about everything, including his growing frailty: Perhaps, he suggests in the book’s final pages, he was in the Sabbath of his life, “when one can feel that one’s work is done, and one may, in good conscience, rest.” His tender book leaves readers with a similar sense of tranquility and, indeed, gratitude.” —Heller McAlpin, Washington Post
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“Elegant….a lovely slim volume.” —Melissa Dahl, New York Magazine

“Powerful….The book chronicles the famous author’s thoughts, wishes, regrets, and, above all, feelings of love, happiness, and gratitude even as he faced the cancer that ended his life last year at 82….the material offers incisive, poignant observations….A perfect gift for thoughtful readers, and a title that belongs in science and biography collections.” —Library Journal, *starred review*

“The neurologist and author died of cancer in August. Between 2013 and 2015, he wrote four moving essays, published in The New York Times, reflecting on his life and facing mortality. They are collected in this slim volume, a coda to Sacks’ remarkable career.” —Tom Beer, Newsday

“A book defined by celebration, not sadness.” —Danny Heitman, The Advocate

“This is a worthy little chapbook for the lovers of Oliver Sacks.” —Edith Cody-Rice, �The Millstone

“The volume is tiny—short enough to read easily in one sitting—but it’s huge in heart. Oliver Sack’s just-published book� “Gratitude,”�consists of four essays the famous neurologist and chronicler of� human quirks wrote in the months before his death of cancer this summer at 82. It is, in effect, a mini-memoir, a beautiful meditation on what it means to live a good life.” —Sydney Trent, Washington Post

“In these four graceful essays written in the two years before he died, Oliver Sacks looks at life, old age — and death, square in the eye….First published individually in the New York Times, together these pieces form a wise and profound quartet.” —Laurie Hertzel, Minneapolis Star-Tribune

“Gratitude�is a bittersweet and absolutely beautiful read in its entirety.” —Maria Popova, Brainpickings.org

“A humane look at his own life, and death, told with good humor, acceptance, and that charming gratitude that had such a strong hold on him. If you know his writings, this will bring them to a thoughtful and enlightened conclusion; if you do not, the little book is a not just a farewell but will do for a grand introduction.” —The Dispatch

About the Author
OLIVER SACKS was born in 1933 in London and was educated at Queen’s College, Oxford. He completed his medical training at San Francisco’s Mount Zion Hospital and at UCLA before moving to New York, where he soon encountered the patients whom he would write about in his book Awakenings.

Dr. Sacks spent almost fifty years working as a neurologist and wrote many books, including�The Man Who Mistook His Wife for a Hat,�Musicophilia, and�Hallucinations,�about the strange neurological predicaments and conditions of his patients. The New York Times referred to him as "the poet laureate of medicine," and over the years he received many awards, including honors from the Guggenheim Foundation, the National Science Foundation, the American Academy of Arts and Letters, and the Royal College of Physicians. His memoir,�On the Move, was published shortly before his death in August 2015.

For more information, please visit�www.oliversacks.com.

Most helpful customer reviews

110 of 112 people found the following review helpful.
Beautiful
By D. Piper
I became aware of Oliver Sacks only in the last year or two of his life, through interviews, articles about his essays and autobiography, and his contributions to WNYC's Radiolab. Every time I heard him speak or read his words, I was struck by what a beautiful, gentle man he seemed to be. And when I heard he had been diagnosed with metastatic cancer and was about to die, I was deeply saddened. His story, which I had just come to know, was coming to an end.

This book is a very short read... A collection of some of his final essays. Though I had read some of them before - or heard him tell some of these stories in interviews, reading them again reminds me about what I love about Oliver Sacks' perspective and reminds me about what I'm grateful about in my own life.

94 of 97 people found the following review helpful.
Four short, personal, profound essays about the facts of age and dying
By Bookreporter
A neurologist who gained his greatest renown for his ability to write about his profession in a thoroughly human way, Oliver Sacks passed away in August of 2015. His literary legacy consists of these four short, personal, profound essays written in the last two years of his life as he contemplated the facts of age and dying.

The essays are presented in chronological order, beginning with “Mercury," in which Sacks recounts his love of elements and atomic numbers, allowing him to state “at seventy-nine, I am gold.” He enumerates some of the negative aspects of aging, such as slowing reactions, flagging energies, the tendency to forget names, and the looming fears of “dementia and stroke.” But he can still declare that he’s looking forward to being 80. “My Own Life” was composed after his diagnosis of a recurrence of fatal cancer. Here he cites philosopher David Hume, who wrote, at a similar juncture, “I now reckon upon a speedy dissolution.” He harks back to his attraction to the elements in “My Periodic Table.” He notes that on his desk is a “little lead casket” for his 82nd birthday, wonders if he will live to see bismuth (83), and feels almost sure he will miss the murderously radioactive 84th: polonium.

In “Sabbath,” the last of the four writings, Sacks recalls growing up in a close-knit orthodox Jewish home, and particularly the rituals of Shabbos: “Kiddush accompanied by sweet red wine and honey cakes…” But this idyllic cultural picture was fractured when Sacks admitted to his father that he had sexual feelings for other boys. His mother shrieked at him, making him hate religion. Leaving home, he struggled with addiction to amphetamines, but later found stability and solace in the work that inspired his book AWAKENINGS.

Thus began a “lonely but deeply satisfying, almost monkish existence.” Sacks devoted himself to the case histories of his and other patients, those whose unique maladies, always presented with respect, even reverence, provided material for popular books like THE MAN WHO MISTOOK HIS WIFE FOR A HAT and SEEING VOICES. Much later, Sacks was inspired by a cousin to visit Israel and then celebrate Sabbath with his orthodox relatives --- “a stopped world, a time outside time.”

In the certainty of approaching death, “Sabbath” concludes with the author’s hope that the “seventh day of one’s life” will bring longed-for peace and rest.

Reviewed by Barbara Bamberger Scott

37 of 38 people found the following review helpful.
a beautiful, brilliant
By Glorba
I read Gratitude as soon as I received it, and will read it again, over and over. It is especially comforting to someone moving through their later years. Oliver Sacks always had a special place in my heart.....a beautiful, brilliant, tender soul. He'll be missed.

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From five of erotica’s hottest authors come TEN sizzling stories so Sinfully Taboo, they’ll scorch your e-reader! Over 50,000 words of smoking hotness! These stories are filled with little brats who tease their men of the house to tantalizing heights. Whether they are being taken for the first time or saddling up for hot backdoor action, these naughty brats just can’t behave! Once they’ve been taken hard and without protection, some of these brats end up with swollen bellies!

  • Sales Rank: #316690 in eBooks
  • Published on: 2015-06-03
  • Released on: 2015-06-03
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Loved this box set
By Kristy Dean
Wow there were so many great short stories. All stories were taboo (step brother or stepfather). I loved this box set. I would read again as well as other books by these authors. (Have lots of clean panties ready, you will be soaked).

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
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Rabu, 25 Maret 2015

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Die Welt, in der du lebst, existiert nur in deinem Kopf - was, wenn jemand mit deinen Gedanken spielt?

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  • Sales Rank: #102135 in Audible
  • Published on: 2015-07-02
  • Format: Abridged
  • Original language: German
  • Running time: 378 minutes

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Minggu, 15 Maret 2015

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Learn Tamil in 30 Days by N. Jegtheesh (Paperback - 1997), by N. JEGTHEESH

  • Published on: 1997-01-01
  • Binding: Paperback
  • 160 pages

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Sabtu, 14 Maret 2015

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Beyond Boundaries: The New Neuroscience of Connecting Brains with Machines---and How It Will Change Our Lives, by Miguel Nicolelis

Imagine living in a world where people use their computers, drive their cars, and communicate with one another simply by thinking. In this stunning and inspiring work, Duke University neuroscientist Miguel Nicolelis shares his revolutionary insights into how the brain creates thought and the human sense of self―and how this might be augmented by machines, so that the entire universe will be within our reach.

Beyond Boundaries draws on Nicolelis's ground-breaking research with monkeys that he taught to control the movements of a robot located halfway around the globe by using brain signals alone. Nicolelis's work with primates has uncovered a new method for capturing brain function―by recording rich neuronal symphonies rather than the activity of single neurons. His lab is now paving the way for a new treatment for Parkinson's, silk-thin exoskeletons to grant mobility to the paralyzed, and breathtaking leaps in space exploration, global communication, manufacturing, and more.

Beyond Boundaries promises to reshape our concept of the technological future, to a world filled with promise and hope.

  • Sales Rank: #484278 in Books
  • Published on: 2012-02-28
  • Released on: 2012-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .82" w x 5.50" l, .70 pounds
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
Duke University neuroscientist Nicolelis is a leader in the rapidly developing field that allows brains and machines to work closely together. His pioneering work has led to machines like robotic arms that rhesus monkeys control via the electrical impulses transmitted by neurons in their brains. Nicolelis describes this research and explains the paradigm shifts it has produced, such as a growing group of neuroscientists who now believe that physical and mental activities are not controlled by highly specialized brain regions, but rather "on populations of multitasking neurons, distributed across multiple locations." While Nicolelis predicts future developments, such as brain-machine interfaces that will, for instance, allow paralyzed humans to interact fully with their environment, he devotes most of the book to a historical perspective on neuroscience and to explaining the specifics of his research, which will fascinate neuroscience buffs but may be too detailed for general readers. B&w photos. (Mar.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
Nicolelis defines his field of research as systems neurophysiology, and he guides interested readers to the frontier of brain knowledge in this account of his and colleagues’ experiments. Their practical objectives are the development of a brain-machine interface and, ultimately, a brain-to-brain interface. It seems that the former has been achieved in rudimentary fashion, as Nicolelis describes his Duke University lab’s success in rigging a primate so that its brain’s neural firings actuate a robot in Japan. Many images clarify scientists’ techniques for wiring up and measuring their clinical subjects, while Nicolelis’ explanatory text regularly steers into smiting his intellectual rivals, whom Nicolelis characterizes as holding that specific locations exercise brain functions, whereas he maintains that the brain operates in a distributed way, even as a biological version of physics’ relativity. As readers mull over the debate and absorb Nicolelis’ relativity idea, his conclusion outlines optimistic visionary predictions for neuroscience that will alert them to what’s coming down the pike in technology-driven human evolution. --Gilbert Taylor

Review

“Miguel Nicolelis has produced a delightful and scientifically important work by combining stories of his life with reflections on the big questions in neuroscience. The progress he and his co-workers have made toward a future where humans can use brain activity to directly control computers and mechanical devices to restore lost motor and communication functions is both awe-inspiring and filled with hope.” ―Jon Kaas, Distinguished Centennial Professor, Vanderbilt University and member of the U.S. National Academy of Sciences

“In this wonderfully vivid and fascinating book, Miguel Nicolelis describes a new view of the human brain, and how interfacing it to machines will have important implications for rehabilitation medicine and beyond.” ―Peter Agre, M.D., 2003 Nobel Laureate in Chemistry and University Professor and Director, Johns Hopkins Malaria Research Institute

“Here is the seminal guide to the latest in brain-machine interfaces and the incredible potential they hold to improve the human condition. From the first moment I heard about Miguel's ground-breaking work in the hallways of Duke University, I knew he was on to something special. At once scientifically rich and readily accessible, it inspires both curiosity and hope from one of the field's most important thinkers.” ―Bill Maris, Managing Partner, Google

“Beyond Boundaries is an absolute joy to read. Professor Miguel Nicolelis has provided a provocative, thoughtful and novel view of how this amazing machine called our brain processes and acts on information about our world. Always a scientist and often a poet, Nicolelis writes in an informative and engaging style that is accessible to specialist and layman alike. I highly recommend this wonderful book.” ―Thomas J. Carew, Bren Professor and Chair, Department of Neurobiology and Behavior, University of California, Irvine, and former president of the Society of Neuroscience

“Nicolelis is a leader in the rapidly developing field that allows brains and machines to work closely together. . .will fascinate neuroscience buffs.” ―Publishers Weekly

Most helpful customer reviews

5 of 5 people found the following review helpful.
Neuroscience: You're doing it wrong!
By Dylan
Miguel Nicolelis is a Brazilian born, world-renowned neuroscientist working out of Duke University in North Carolina. He is seen as the public face of the recently begun and rapidly expanding field of Brain-Machine Interfaces, and has done much to bring widespread attention to not only that field, but to neuroscience in general. Part of why Nicolelis is seen as the representative of this field is because he brings academic research into a human context, making the ambitious claim that his research has led to a “human-to-human brain” interface, as well as giving a quadriplegic youth the ability to deliver the opening kick in the 2014 world cup held in Nicolelis’ own Brazil. This theme of bringing science, particularly neuroscience, into a more public and relevant context is one underlying his recent book, Beyond Boundaries.
The author starts his historical narrative by describing the two camps of thought in neuroscience, which he terms “localizationist” and “distributionist.” Localizationists are interested in showing how the brains spatial organization is both largely pre-determined and that there is a strong connection between spatial organization and function of brain regions. They also aim to reduce this connection to the individual neuron, imparting emergent physiological capabilities to the single cell. Distributionists, on the other hand, are more interested in how the neuronal “symphonies”, his term for the aggregate of brain activity across multiple regions, each composed of neuronal with constantly plastic and changeable functions. Dr. Nicolelis is unabashedly in the distributionist camp and this loyalty, which often borders on ranting about the ideas he opposes, is apparent throughout the book.
Dr. Nicolelis then spends much of the next several chapters going through a history of early and formative neuroscience research, invoking several of its well-known early researchers such as Cajal and Sherrington. Throughout this he shows how distributionist and localizationist thought battled for control over our understanding of the brain, and localizationist interpretations dominated for much of the time. In Nicolelis’ mind, however, the truth of the matter ultimately lies with a more holistic and systemic, rather than individual-cellular, view of the brain. The metaphor he uses is a symphony, like how a large group of instruments can indeed be described as many individual parts, the symphony cannot be simply reduced to them. The whole of the music a symphony creates is encoded as something greater than the sum of its parts; the same is true for the brain operations are greater than the sum of actions of individual neurons.
For the second half of the book, Nicolelis goes through a nonlinear history of Brain-Machine Interfaces (BMIs), jumping back and forth in time to serve the point of both furthering distributionist ideas but also showing the ways research across disparate geographical locations and temporal periods has been connected to make something more than just the sum of several academic papers. Continuing the distributionist metaphor and theme of the book, he shows how modern BMI research is an emergent phenomenon that is greater than just the compilation of its history, that there are gains made through original thought and in the connections between seemingly unconnected research.
Miguel Nicolelis’ book, while an extremely useful text for those academically interested in neuroscience and in Brain Machine Interfaces, shines most as a book made for those who lack exposure to science in general and neuroscience in particular. It does require some foundational knowledge of biology however, including the knowledge that the body is made up of units known as cells, and that the brain is made up of specialized cells known as neurons. While further knowledge of neurobiology would be helpful, like how neurons “signal” to each other using a combination of electrical and chemical signals, which is not absolutely necessary to get meaning from the book.
Nicolelis weaves an autobiographical narrative throughout the text, frequently connecting ideas and research to his own life experiences. Often he explains complex scientific achievements alongside powerful and understandable human metaphors to his own life, like his experience with a conductor during medical school, an experience that served as his foundation for comparing the brain to a collection of musicians. He also explains his multiple intended and pursued career paths, including once dreaming of becoming a Brazilian soccer star, prior to becoming the renowned researcher he is now. With this connection of the text and its subjects to his own life, Dr. Nicolelis both the scientific process and the researchers who utilize the scientific method. He takes what, at first blush, seems an overwhelmingly complex topic, studying the brain and eventually having the brain and computers communicate with one another, and then makes himself and the topics of the book relatable and understandable to most any reader who has the type of interests to seek out a popular press book on science. If a reader seeks out this book, they likely already possess the requisite knowledge to understand it.
Making the scientific process more human is only the start of it however-he then goes on to explain important aspects of science as an institution which aren’t often seen by the public, which the reader can now understand because of his aforementioned humanizing. Interwoven through much of his book are the conflicting ideals of localizationist and distributionist thought, a debate that has gone on for well over a century and continues to this day. This is a part of science not often understood even by those within it-that of competing and equally viable and “proven” ideas and narratives that, unfortunately, contradict one another. Science is often seen as uncovering facts and truth, but often there is a long period of competing facts and competing truths. For example, in the history of thought on the development of organisms, widespread acceptance of Darwin’s ideas is only a recent phenomenon, one preceded by intense and impassioned debates. Nicolelis gives us an insider’s view on such a debate still raging within neuroscience-if he is right, then future neuroscientists will see what is now called “distributionist” thought as factually correct, but the meaning to most people will be his insight into the process of competing ideas within science.
Miguel Nicolelis weaves three histories into his book-the history of neuroscience, and within that the history of Brain Machine Interfaces, and within even that, the history of Miguel Nicolelis. The book relates all three to one another, and then makes Nicolelis someone we can all find a bit of ourselves in, allowing a more publicly accessible understanding of him, his work, and science in general. He draws us in with this attractive idea of connecting our brains to computers, but then shows us the impassioned history and modern practice of neuroscience. It is for these reasons-the book’s popular appeal, accessibility, and educational value that I give it 5 stars. To anyone who is academically interested in Brain-Machine interfaces, mystified by the scientific process, or just wants to know the fascinating life story of this now famous Brazilian, I recommend this book to you!

0 of 0 people found the following review helpful.
Sound science accompanied by enjoyable anecdotes
By Codina
The author takes you on the remarkable account of 25+ years of research in neuroscience, from his medicine years at Sao Paulo University to Duke's Center for Neuroengineering. Dr. Nicolelis summarizes the conclusions of his remarkable experiments in ten "principles of ensemble neurophysiology", supporting his distributionist theory of the brain. The book has plenty of music and sports allegories that make a very entertaining reading.
My only concern is that the technical language may be a little difficult to understand for the layman, but I applaud the author's effort not to dumb down the description of the experiments.
In conclusion this work is a must-read for anyone whose work is related to neuroscience, and remains a highly recommendable book for the curious minds that do not mind delving a little bit in the technical aspect of neural engineering.

2 of 2 people found the following review helpful.
Monkeys, tools, and boundaries
By M. Lavin
Great read for this previous friend of a Capuchin monkey years ago in LaPaz, Bolivia. I can attest that monkeys eagerly interface with tools e.g., put on lipstick with or without a mirror; without any human intervention, selectively [apparently based on empirical experience] choose and to all appearances thoroughly enjoy pharmacoactive plants of the psychodelic variety, ride pet cats like horses, and guard patios better than any watch dog. It is not surprising to me that their cousins, the Rheusus, partner with others in neuroscience labs in the study of the use of robotic tools.

My only objection is the title "'Beyond' Boundaries." If my understanding of what the author is saying is correct, then, once incorporated into my neural circuitry, a robot I am using to pick up tools in New York from my office in St. Louis is as much a part of me as my grabber is when I am picking up an object lying on the floor, or as much as a modern artificial limb is to an athlete who has lost his/her birth limb. It is all tool-using capacity, in which we have gone from

1. selecting, making or using tools nearby to...

2. using and making communication tools with nearby and distant uses to...

3. using and programming robots to use tools nearby to...

4. to using and programming robots to use tools from a distance...

5. directing the robotic use of tools nearby, not by any intermediary program, but only by means of neural networks in the brain to...

6. directing the robotic use of tools at a distance, not by an intermediary program, but only by means of neural networks in the brain...

I agree, it is a giant step forward, even an evolutionary step forward. But, I am not sure it is 'beyond' boundaries. To me, it is more like the very first time event of riding a bike, with..., "Look, Mom, no hands!" --

In this book, Nicolelis shares with us his adventure of learning how to use our brains to use tools with no hands! Breathtaking, explosive, an evolutionary leap, but not beyond boundaries: If we can envision something, we can do it. Some, like Dr. Nicolelis, have enormous vision, the capacity to bring that vision to life, and recount it beautifully.

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Selasa, 10 Maret 2015

[A834.Ebook] Ebook Foundation to Flute Playing: An Elementary Method, by Ernest Wagner

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Foundation to Flute Playing: An Elementary Method, by Ernest Wagner

Foundation to Flute Playing: An Elementary Method, by Ernest Wagner



Foundation to Flute Playing: An Elementary Method, by Ernest Wagner

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Foundation to Flute Playing: An Elementary Method, by Ernest Wagner

. Additional Advice
. Before Playing
. Breathing
. Cadenzas
. Collection of Songs and Solos
. Construction of Scales
. Dotted Eights Followed by Sixteenths
. Dotted Quarter Notes Followed by Eights
. Double Tonguing
. Embouchure Exercises
. Etude I
. Etude II
. Etude III
. Etude IV
. Etude V
. Etude VI
. Etude VII
. Excercises on the D and F Scales
. Exercises for Developing Technique
. Fingering
. General Preliminary Advice
. Grace Notes
. Grand Fantasie Theme and Variations
. Harmonic Minor Scales
. How to Practice
. Intervals
. Introduction
. Kinds of Notes
. Kinds of Rests
. Major and Minor Chord Exercises
. Major and Minor Scales
. Melodic Minor Scales
. Miscellancous Technical Exercises
. Miscellaneous Exercises
. Miscellaneous Slurring Exercises
. Open and Closed G# Key
. Position
. Preparatory Exercises on the Turn
. Rudiments of Music
. Scale Studies
. Sharps, Flats, Naturals, ect
. Signs Most Frequently Used
. Simple Tonguing Exercises
. Sixteenths Followed by Dotted Eights
. Slurring and Tonguing
. Staccato Exercises in 6-8 Time
. Staccato Exercises in Sixteenth Notes
. Staccato Tonguing
. Sustained Tones
. Syncopation
. The Chromatic Scale
. The Crutch (or Bridge)
. The Flute and Its Care
. The Slur
. The Trill
. The Turn
. Time
. Tone Production
. Transposition
. Triple Tonguing
. Triplets
. Tuning
. What to Practice

  • Sales Rank: #274736 in Books
  • Brand: Brand: Carl Fischer Music Publisher
  • Published on: 1918-06-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x 9.25" w x .25" l, .0 pounds
  • Binding: Paperback
  • 120 pages
Features
  • elementary flute playing

Most helpful customer reviews

10 of 10 people found the following review helpful.
Foundation to Flute Playing - Ernest Wagner
By Cathleen S., Clare
I have been using this book in my teaching for over 10 years. If followed Lesson by Lesson and not skipped around on it gives an exceptional workout for the student. Each lesson works on the topic at hand using various finger patterns and techniques to enable the student to attain the skills needed to complete the lesson and become a better player. It is not really geared toward the younger players but is for someone who has had 1-2 years of band in school. It mainly focuses on sharp keys,where most band methods only touch on these. However, flat keys are also used throughout the book. The book progresses from medium easy to very difficult and my students who work diligently in this book are usually in the top three chairs of their band program.

An excellent teaching method.

2 of 2 people found the following review helpful.
Love it!
By Carrie Lee <3
This book helps any who want to further their flute playing. It also helps for the highschool students who don't understand syncopation, rhythms, and tone.

1 of 1 people found the following review helpful.
Great book for an adult
By Qui
This was recommended by my instructor and it is fantastic for someone experinced in reading music and learning a new instrument. An effective blend of technique "drills" and challeging short pieces.

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Selasa, 24 Februari 2015

[B480.Ebook] Fee Download Haydn: Piano Sonata No. 9 in D major, Hob.XVI:19 (Haydn Piano Sonatas) (Volume 9), by Joseph Haydn, Samwise Publishing

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Haydn: Piano Sonata No. 9 in D major, Hob.XVI:19 (Haydn Piano Sonatas) (Volume 9), by Joseph Haydn, Samwise Publishing

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Haydn: Piano Sonata No. 9 in D major, Hob.XVI:19 (Haydn Piano Sonatas) (Volume 9), by Joseph Haydn, Samwise Publishing

Joseph Haydn's "Piano Sonata No. 9 in D major", Hob.XVI:19, L. 30 Reprinted from the excellent C.F. Peters edition. Also known as "Divertimento in D major, Hob.XVI:19"

  • Sales Rank: #6924990 in Books
  • Published on: 2015-01-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .7" w x 8.50" l, .21 pounds
  • Binding: Paperback
  • 30 pages

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Haydn: Piano Sonata No. 9 in D major, Hob.XVI:19 (Haydn Piano Sonatas) (Volume 9), by Joseph Haydn, Samwise Publishing PDF

Haydn: Piano Sonata No. 9 in D major, Hob.XVI:19 (Haydn Piano Sonatas) (Volume 9), by Joseph Haydn, Samwise Publishing PDF

Haydn: Piano Sonata No. 9 in D major, Hob.XVI:19 (Haydn Piano Sonatas) (Volume 9), by Joseph Haydn, Samwise Publishing PDF
Haydn: Piano Sonata No. 9 in D major, Hob.XVI:19 (Haydn Piano Sonatas) (Volume 9), by Joseph Haydn, Samwise Publishing PDF